Revia
רְבִ֗יעַ‎ ֗‎ וְהָאָ֗רֶץ‎
cantillation
Sof passuk׃‎  paseq׀‎
etnakhta/atnakh֑‎  segol֒‎
shalshelet֓‎  zaqef qaton֔‎
zaqef gadol֕‎  tifcha/tarkha֖‎
rivia/ravia’֗‎  zarqa֘‎
pashta֙‎  yetiv֚‎
tevir֛‎  geresh/gerish֜‎
geresh muqdam֝‎  gershayim/shenei gerishin֞‎
karnei pharah֟‎  telisha gedola/talsha֠‎
pazer (gadol)֡‎  atnah hafukh֢‎
munakh/shofar holekh֣‎  mahapakh/shofar mehupakh֤‎
merkha/ma’arikh֥‎  merkha kefula/terei ta’amei֦‎
darga֧‎  qadma֨‎
telisha qetana/tarsa֩‎  yerah ben yomo֪‎
ole֫‎  illuy֬‎
dehi֭‎  zinor֮‎

Revia (רְבִיעַ‎, [rəviaʕ]) is a cantillation mark commonly found in the Torah, Haftarah, and other biblical texts.

It is commonly explained as being the Aramaic equivalent of Hebrew רְבִיעִי‎ Revi'i, meaning 'fourth' or 'quarter'.[1], and for that reason is sometimes called Revi'i. However, this is probably a folk etymology: the more likely meaning in Aramaic is "crouching" or "lying", referring to its position vertically above the word.[2]

Revia is considered to have medium strength. It is stronger than a Pashta or Tevir, but weaker than a Zakef or Tifcha.[3]

Revia can occur either by itself, or following one or two Munachs. When there are two Munachs prior to a Revia, the first Munach has a long melody, and the second one is short. When there is one Munach, it is short.

Based on its translation as fourth, in printed texts it is represented by a diamond-shaped mark. However in manuscripts it is just a dot.[4]

Total occurrences

Book Number of appearances
Torah 2430[5]
   Genesis 610[5]
   Exodus 504[5]
   Leviticus 312[5]
   Numbers 497[5]
   Deuteronomy 507[5]
Nevi'im 2239[6]
Ketuvim 1672[6]

Melody

The Rivia is read in a slow, downward tone, with a pause in the middle breaking upward.

References

  1. ↑ Buhl, Dr. Frants (2021). Wilhelm Gesenius' Hebräisches und aramäisches Handwörterbuch [Hebrew and Aram concise dictionary by Wilhelm Gesenius] (in German) (17 ed.). Berlin / Heidelberg: Springer. p. 742. ISBN 978-3-642-94264-8.
  2. ↑ Lier, Gudrun, "The Revia in the Context of Decoding Masoretic Accents", Journal of Semitics, 2011, Vol 21/1, pp. 28-51.
  3. ↑ Chanting the Hebrew Bible By Joshua R. Jacobson, page 102
  4. ↑ The Art of Cantillation, Volume 2: A Step-By-Step Guide to Chanting Haftarot ... By Marshall Portnoy, Josée Wolff, page 43
  5. 1 2 3 4 5 6 Concordance of the Hebrew accents in the Hebrew Bible: Concordance ..., Volume 1 By James D. Price, page 6
  6. 1 2 Concordance of the Hebrew accents in the Hebrew Bible: Concordance ..., Volume 1 By James D. Price, page 5


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